The New York-based, Singapore-bred Slodown is adept at conjuring resolute moods that are now familiar territory in modern R&B.
His latest single ‘Ample Fruit’, released on Dec 18, is powered by warped sounds and twinkly synth-pads courtesy of producer WY Huang (who recently turned in an astounding Guest Mix for SGCR.)
‘Ample Fruit’ capped off a slew of singles from the artist, who has kept himself busy despite a year like 2020. It arrives at the kind of hushed intimacy that harks back to older soul records, and it’s no surprise that Slodown himself is a seasoned student of the classics.
But instead of handing in a laundry list of the usual suspects for this 10 Tracks, Slodown highlights a handful of lesser-known delights, while schooling us on the up-and-comers he believes will come to define the genre in the years (or even months) to come.
Of course, there’s also D’Angelo. No discussion of R&B and soul can omit that name.
Pore through his picks below and listen in to our conversation with the singer during his brief return to Singapore last month.
I know very little about this guy. It’s something Spotify algorithms fed to me. I’ve been listening to a lot of movie scores recently just because I love films as well. There’s always something about how movie scores can conduct and play with your emotions without needing words or lyrics.
At the core of it, that’s something I try to do with my music — to conjure certain emotions. So for me, I feel like movie scores are a really good place to get inspired by.
This guy has only two songs out right now, both similar in vibes, but I was immediately drawn to this guy because he wears his identity on his sleeves.
He’s not shy to have symbolism and references [from his Muslim faith] in his work and he uses that. He just speaks his truth. The nature of the content is familiar — it’s still street tales that we may be more familiar with, almost doing this folk/R&B thing while drawing so much from his heritage.
That’s my favourite D’Angelo song, and probably my favourite song of all time. That’s my most-played song ever.
I’m always in the mood to listen to this song. It’s the kind of vibe that inspired me to make music the most. The feeling that I got from this song was something I wanted to create with my music.
I found Xavier Omar on Soundcloud, never even knew how he looked like. No photos up. But that song ‘Blind Man’, I was like “Shit!” I think now he’s finally gotten bigger – I wouldn’t say he’s mainstream but he has at least come out of that. There’s a phase to his music now.
I found out about her from Xavier Omar, she was featured in one of his singles. She’s a new LA artist and her shit is all upbeat and dancey, and somehow it feels really fresh. I wouldn’t be sure to call it R&B but it’s fresh to me.
I’m a bit bored – to me, the sound of R&B has become so mainstream that PARTYNEXTDOOR almost sounds like it could be on the same playlist as an Ariana Grande playlist now. There’s still the new Ty Dollar Sign album, it’s still done very well, but I’m always more excited by fresher takes on R&B that retains the genre’s soulfulness.
Lucky Daye’s blowing up, and he’s probably going to be mainstream soon. He’s blowing up in the States, and he’s also super talented. His sound is fresh and different from the regular landscape of R&B right now.
Love when Shelley gets on his soulful shit, especially when it’s in that old-school vein like that.
Been really enjoying this Benny the Butcher album — gives me the same feeling classic rap albums like The Infamous and Only Built 4 Cuban Linx… used to give me.
It just puts you in a good mood. Every time summer hits New York, that’s the song I go back to. It’s another vibe I’m trying to recreate with my more summery songs.
There’s a certain thing about it — I don’t know if it’s the “old” quality of the music, or the vocals — but it’s just so warm and soulful. It’s a blanket statement lah but a lot of new music nowadays is made to be played in the clubs or parties.
A lot of old music was meant to be played outdoors, like at a picnic. This is one of those songs that puts you in that mood.
This is the shit I pour whiskey and chain-smoke cigarettes to during the winter. It gets me to an emo place, but not a bad kind of emo.
As a kid, I’d always wanted to move to New York, even before I had ever seen the city myself. This song felt like New York to me. When I hear this song, I think of movies like Taxi Driver, like old New York. It’s a special song for me.
‘Ample Fruit’ and other Slodown singles are available on streaming platforms.