Culture / Events / Film /

Asian Film Archive to screen restorations of Wong Kar Wai films in 4K

Posted 12 months ago Written by SINGAPORE COMMUNITY RADIO
Photo credit Jet Tone Production

One of cinema’s most beloved auteurs is getting a retrospective at Asian Film Archive in March.

Retrospective: Wong Kar Wai is the latest programme put together by the institution, which will be screening eight of Wong’s films at Oldham Theatre from March to April 2021.

Seven of these films have recently undergone brand-new 4K restorations, which will debut in Singapore under the programme. The list of films are as follows:

As Tears Go By (1988)
Days of Being Wild (1990)
Chungking Express (1994)
Fallen Angels (1995)
Happy Together (1997)
In the Mood for Love (2000)
2046 (2004)
Ashes of Time Redux (2008)

Ashes of Time Redux is a re-edited version of 1994’s Ashes of Time, and will be screened in its existing form since its premiere in 2008.

“The eight films presented as part of this retrospective are an invitation into the charismatic and wistful world of a deeply influential artist,” Asian Film Archive writes.

“Whether tragically romantic, soaked in blood, or quirkily comedic, his distinctive works have enthralled a worldwide audience and inspired countless filmmakers with their bold stylistic strokes and an enduring enigmatic beauty.

Watch the latest episode of Coming Attractions with Asian Film Archive below, where programmers Thong Kay Wee and Viknesh Kobinathan talk about film on Singapore Community Radio.

The 4K restorations first premiered in New York last year at Film at Lincoln Center. With the programme, Wong provided a Director’s Note on the multitude of changes made during the restoration process, which he deems most satisfactory to the original vision for each film.

This includes remixing sound and restoring aspect ratios for Chungking Express and In the Mood for Love, along with creating entirely new credit sequences for all films.

He also mentions that for Happy Together, the tragic drama starring Tony Leung Chiu-wai, portions of his monologues had to be shortened due to original negatives perishing in an accident.

“Since the beginning of this process, these words have reminded me to treat this as an opportunity to present these restorations as a new work from a different vantage point in my career,” he writes. “Having arrived at the end of this process, these words still hold true.” Read the full note here.

The full schedule of screenings will be released on Feb 15, with tickets going on sale Feb 17.